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曼珠沙华和她的诗

2025-04-28 17:13:35 阅读（49）

作者段金平

很多年了，还依稀记得和曼珠沙华第一次见面的情境。那天，她巧笑倩兮，用古琴和功夫茶招待我们一行。坐在她从各地“淘”来的富有民族色彩的家具和摆件中，听潺潺溪水的音律流出她的芊芊玉指，品经过溫杯、封壶、洗茶等程序冲出的当年龙井，一时间，恍惚惛懵: 艳阳之下竟穿越时空，步入了意识中的古典闲庭?

着实享受这蒙太奇的场景!

打那以后，连日里念兹在兹，只因为她像诗。丰肌秀骨，软玉温香，“眉将柳而争绿，面共桃而竞红”。

窗间白驹。如水的君子之交虽无甚密过从，倒也神会心融。然而，她的一首诗《征服王者》显白了我对她认知的浅庸。

“来吧到我面前跪下与我为奴亲吻我那赤足

垂下那华纱轻掩的头为我踏过的尘每寸都必是你的疆土

来吧我的女人跪下尊我为王

……”

“别了我爱的精灵与你歃血为盟……”

语出惊心，判若两人！铿锵顿挫的诗句和音律如金蓖刮目，让我看到曼珠沙华特有的一心孤愤，满眼千红。

鲜活的文字再度牵线，

令我与其之间方寸万重。

我爱上了曼珠沙华的诗。像儿时背诵古诗词般饶有兴趣、明里暗里有意无意地寻找她的大作，品读如同品茗。

《太平洋岸边等水的沙》，更是将我缚住，反复诵读，欲罢不能：

“古老的灯塔没有回答

我是那太平洋岸边

等水的沙

我等你靠近

拾起我散落如贝的情话…… “

“北归的雁儿也没有回答

我仍是那岸边

等水的沙

我等你的手

穿过我的银发…… “

“不忍的夕阳逃避了回答

我是那黑暗里

被遗忘的沙…… “

“远去的帆请不要回答

我不再是那太平洋岸边

等水的沙

为那不肯上岸的心，我已放飞了牵挂……”

简单利落的四个小段落，反反复复的有“问”无“答”，描绘出一个女子从热切的期盼到等待中设想的白发苍苍、从嗔怨被遗忘到放下思念任对方飞翔，四个阶段，四种心境。毫无掩饰的缓缓述说，让我惯彻心扉的理解和贴近“故事”的主人公，如同身临其境。

曼珠沙华的诗，不以造玄博关注，不以鱼目而混珠，每一个字每一个词每一首诗都像水洗了一样干干净净。

如《宅》：

“过于缤纷的人生

哪里寻得一处荒凉的风景

青春的歌声

过早的伐光了岁月的森林

刮过太平洋的季风

一头撞过海岸的防线

新的王朝正在诞生

不为所动宅只把倒立的世界种入虚空”

原本是“蜗”在家舍，可以混沌、可以迷迷瞪瞪，但她却让心如此纯净。宅的仙释、宅的淡定、宅的洒脱、宅的从容。寥寥几句，不拖泥带水，尽显举世怆慌我独静。

并且，曼珠沙华的诗既有感性的缠绵，又有理性的冷静。

比如：

“我们彼此对视整晚都舍不得合眼……”

又如“新文明的进程何需再添一道血腥的风景……”

情之所至，百倍娇柔，事之关头，万般清醒。

总之，曼珠沙华的诗具有柔和与刚烈、不羁和严谨的多重性。

《繁华我眼寂寞我心》像个雅致的万花筒，变换多面却有序不乱，没有做作又五彩斑斓。捧之，醉心怡情！

我喜欢曼珠沙华和她的诗，也为北美洛杉矶华文作家协会有这样文笔的会员深感荣幸。

不敢效仿司马子微谓李白有仙风道骨，但是曼珠沙华在我看来，确有仙姿玉质，她的诗也妙笔天成。故愿“与之神游八极之表”，畅谈人生。

注：此文是为曼珠沙华的诗集《繁华我眼寂寞我心》所作的“序”

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article------>{"id":175,"cid":17,"subCid":"","title":"曼珠沙华和她的诗 ","shortTitle":"","tagId":"","attr":"1,2","articleView":"","source":"","author":"","description":"","img":"","content":"作者段金平\n 很多年了，还依稀记得和曼珠沙华第一次见面的情境。那天，她巧笑倩兮，用古琴和功夫茶招待我们一行。坐在她从各地“淘”来的富有民族色彩的家具和摆件中，听潺潺溪水的音律流出她的芊芊玉指，品经过溫杯、封壶、洗茶等程序冲出的当年龙井，一时间，恍惚惛懵: 艳阳之下竟穿越时空，步入了意识中的古典闲庭?\n \n 着实享受这蒙太奇的场景! \n \n打那以后，连日里念兹在兹，只因为她像诗。丰肌秀骨，软玉温香，“眉将柳而争绿，面共桃而竞红”。 \n \n窗间白驹。如水的君子之交虽无甚密过从，倒也神会心融。然而，她的一首诗《征服王者》显白了我对她认知的浅庸。 \n \n “来吧到我面前跪下与我为奴亲吻我那赤足\n 垂下那华纱轻掩的头为我踏过的尘每寸都必是你的疆土\n \n来吧我的女人跪下尊我为王 \n……” \n \n“别了我爱的精灵与你歃血为盟……” \n \n语出惊心，判若两人！铿锵顿挫的诗句和音律如金蓖刮目，让我看到曼珠沙华特有的一心孤愤，满眼千红。 \n \n鲜活的文字再度牵线，\n令我与其之间方寸万重。 \n \n我爱上了曼珠沙华的诗。像儿时背诵古诗词般饶有兴趣、明里暗里有意无意地寻找她的大作，品读如同品茗。 \n \n《太平洋岸边等水的沙》，更是将我缚住，反复诵读，欲罢不能：\n \n “古老的灯塔没有回答 \n我是那太平洋岸边 \n等水的沙 \n我等你靠近 \n拾起我散落如贝的情话…… “\n \n“北归的雁儿也没有回答 \n我仍是那岸边 \n等水的沙 \n我等你的手 \n穿过我的银发…… “\n \n“不忍的夕阳逃避了回答 \n我是那黑暗里 \n被遗忘的沙…… “\n \n“远去的帆请不要回答 \n我不再是那太平洋岸边 \n等水的沙 \n为那不肯上岸的心，我已放飞了牵挂……” \n \n简单利落的四个小段落，反反复复的有“问”无“答”，描绘出一个女子从热切的期盼到等待中设想的白发苍苍、从嗔怨被遗忘到放下思念任对方飞翔，四个阶段，四种心境。毫无掩饰的缓缓述说，让我惯彻心扉的理解和贴近“故事”的主人公，如同身临其境。 \n \n曼珠沙华的诗，不以造玄博关注，不以鱼目而混珠，每一个字每一个词每一首诗都像水洗了一样干干净净。\n \n 如《宅》：\n \n “过于缤纷的人生 \n哪里寻得一处荒凉的风景 \n青春的歌声 \n过早的伐光了岁月的森林 \n刮过太平洋的季风 \n一头撞过海岸的防线 \n新的王朝正在诞生 \n不为所动宅只把倒立的世界种入虚空” \n \n原本是“蜗”在家舍，可以混沌、可以迷迷瞪瞪，但她却让心如此纯净。宅的仙释、宅的淡定、宅的洒脱、宅的从容。寥寥几句，不拖泥带水，尽显举世怆慌我独静。\n \n并且，曼珠沙华的诗既有感性的缠绵，又有理性的冷静。\n \n 比如：\n \n “我们彼此对视整晚都舍不得合眼……” \n又如“新文明的进程何需再添一道血腥的风景……” \n \n情之所至，百倍娇柔，事之关头，万般清醒。\n \n 总之，曼珠沙华的诗具有柔和与刚烈、不羁和严谨的多重性。 \n \n《繁华我眼寂寞我心》像个雅致的万花筒，变换多面却有序不乱，没有做作又五彩斑斓。捧之，醉心怡情！ \n \n我喜欢曼珠沙华和她的诗，也为北美洛杉矶华文作家协会有这样文笔的会员深感荣幸。\n \n 不敢效仿司马子微谓李白有仙风道骨，但是曼珠沙华在我看来，确有仙姿玉质，她的诗也妙笔天成。故愿“与之神游八极之表”，畅谈人生。 \n \n注：此文是为曼珠沙华的诗集《繁华我眼寂寞我心》所作的“序”","status":0,"pv":49,"link":"","createdAt":"2025-03-24T05:54:24.000Z","updatedAt":"2025-04-28T09:13:35.000Z","field":{}}

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